Before now, the bulk of my knowledge of Guardians of Galaxy stemmed from the 2014 and 2017 films - both of which are these vibrantly-colored, science-fiction confectionery treats with nutty and light-hearted fillings, coatings of 60's/70's pop music for that zany, playful taste and sprinkles of action and family drama. They were fun and charming viewing experiences that made me laugh out loud. When I first saw the initial reveal for Marvel’s Guardians of Galaxy back in June, it was immediately clear to me how much the game has taken inspiration from its film counterparts, but so much more was shown that ultimately left me wondering. I had this itchy curiosity to find out exactly how Eidos-Montréal, a developer with a confident history in developing story-driven RPG and action titles, will play to their strengths for their first superhero game. While the gameplay reveals gave me some idea of this, I struggled to picture how I would react to this experience firsthand on a moment-to-moment basis - especially since this will all come down to how palatable the story is. The game opens several years after the end of a brutal interstellar war that affected the entire galaxy, and the Guardians are

If I were to describe Final Fantasy IV to a person who has, somehow, played the first three games yet never touched the fourth, I would say that it blends the best qualities from each of its trilogy of predecessors. It has Final Fantasy's quartet of elemental bosses and their wicked mastermind. Except better. It has Final Fantasy II's attempt at rebel melodrama and a more intricate narrative. Except better. And it has Final Fantasy III's obsession with airships and abrupt revelations. But... well, no. I'd say they're about equal there. Reviewing Final Fantasy IV Pixel Remaster, at least in my mind, is also a matter of blending. FFIV may be one of the more well-known entries in an exceptionally well-known franchise, but there are people out there who have never touched the game. Maybe you're one of them. But there are millions of fans who are eager to return to the realms of Baron and Fabul for the second time or the third time, or — I'm not naming names here, but quietly pointing the finger toward myself — the tenth. For us, it's important that Pixel Remaster performs its duty admirably. Are the new sprites solid and worth the

It wasn't until the balmy summer of 2019 that I finally sat myself down and checked out The World Ends with You. I played the Switch port, which I understand has some noteworthy control issues, but the game jived with me nevertheless. The jive was strange; it felt more than a bit like showing up alone at an indoor pop-rock concert with no idea what to wear. But every time that's happened to me in life — OK, admittedly it's only happened once — I've eventually settled in and enjoyed the sights and sounds. One might be inclined to think, then, that showing up at the proverbial concert again for NEO: The World Ends with You would be an easier exercise. After all, this long-awaited sequel shares a great deal in common with its 2007 predecessor. The setting, Tokyo's famous Shibuya district, is shared between installments. As is everything that makes Shibuya Shibuya — the nonstop barrage of flashy signs, the wild assortment of shops; the feeling that you're caught up in a human whirlwind. That straightforward assumption, that strong hope that NEO would dig its downright strange hooks into me as its predecessor did and seldom let me go, has

Classic Final Fantasy games from the 8-bit and 16-bit era have been ported and remastered several times before. From the first PlayStation, to the GameBoy Advance, to the PSP, and then smartphones, each iteration takes a certain approach whether it be adding new features and content or an updated graphical style. With many of these platforms now receding into relative obscurity, the call for Square Enix to update and port these games to more current platforms has rang ever louder. Final Fantasy III, for example, has never released in 2D outside of Japan. Announced earlier this year, the first six Final Fantasy titles will be given the "Pixel Remaster" treatment, with the first three launching on July 28th, and the next three to launch later this year. Currently, these remasters are only announced for Steam and smartphones. What's interesting is that there are remasters that currently exist on these platforms, but are being phased out in favor of the Pixel Remasters - as if Square Enix is positioning them as definitive versions. But are they really? From what I've played between each of the first three Pixel Remasters, it seems like a grab bag of features from every version, which is bound

I envy those who get to experience Final Fantasy VII Remake for the first time, I really do. This thought has been at the back of my head over the past few days as I've revisited the world of Midgar - the familiar faces of Cloud and friends a welcome sight after a year of absence, shined up and repackaged for the new generation under the Intergrade branding. This dangerous blend of nostalgia for Final Fantasy VII mixed with the call for new and improved content... it's overwhelming - in a good way. The PlayStation 5 isn't entertaining some basic port. No, Square Enix has pulled out all the stops to not only update the game's visuals, but craft some additional content as well. You've got the base game, of course, but also a lengthy bit of downloadable content featuring the young ninja and materia hunter Yuffie Kisaragi. Along with a new summon and VR content, there's plenty here for both returning fans and newcomers alike. So first let's take a look at the base game. Content wise it's unchanged from the PlayStation 4 version - to the point I slipped in my old save (after transferring it from the PS4 version)

What games can do for stories is something that simply doesn’t exist in other creative mediums - the opportunity for players to actively participate in the narrative progression and, when done right, feel the weight of their actions during pivotal moments. Some games do this better than others, and one of them just happens to be a Yoko Taro game. Having first played NieR Automata in 2017, I was floored not only by its stylish combat and pulse-pounding battle encounters that encapsulate PlatinumGames, but also by its unique narrative structure. The way it subtly and significantly layers its overall story with every completion of the game was something I have never really experienced before. Bundled with well-written characters and an emotional, intriguing plot line, Automata ended up being something special. So, when I first heard Square Enix was remastering the original 2010 title, the precursor to Automata, I knew right then that I had to get my hands on it. Alongside significant visual and gameplay updates, NieR Replicant ver.1.22474487139… has been packaged with new story and gameplay content not available in any other version of the original game. There’s plenty there to incentivize loyal fans to check it out, but it’s also

We all have our Square Enix origin stories. Whether it was Final Fantasy VII Remake and Kingdom Hearts III, or Rad Racer and the original Final Fantasy, or perhaps — as I suspect is the case for a great many of us — somewhere in-between, there was a period of Square history that drew us in and never let us out. The game that changed my world was Final Fantasy VII. Glued as I was to that very first Sony PlayStation, I quickly gobbled up every JRPG I could find. SaGa Frontier was one of them. Released alongside a river of noteworthy RPGs and a veritable ocean's worth of exceptional video games, the 1998 cult classic was destined to find only modest success on Western shores. It was a strange game, as all prior SaGas were; those of us who played and enjoyed it had a somewhat difficult time explaining it even to fans of notable odd ducks such as Vagrant Story and Xenogears. It wasn't about destined heroes, but rather, a loosely affiliated ensemble cast each with a story of their own. It wasn't about leveling to 99, but organically mastering one's inner talents. And it wasn't a game about

The older you get, the more frequently your friends will show you pop culture works from decades past and ask you if you "feel old yet." The world is showing those friends of yours grim little reminders that time is the villain who beats us all. Cast photos from cult classic TV shows populated by twenty-somethings, labeled side-by-side with the actors and actresses now in their late fifties. Best-selling rock albums featuring songs from the cringe fringes of our youth, with lyrics our adult selves cannot stand. Huge metal ball necklaces and glow-in-the-dark Tripp pants. None of it ever fazes me. Time, as best we can tell, is a linear thing. "Of course Nathan Fillion is old now," I tell my friends to their astonishment. "But no, I don't feel any differently." Balan Wonderworld fazed me. It wants to be a love letter to the gaming industry of two decades past, back when janky, early-3D platformers were a dime-a-dozen and your console's success was defined in no small part by the popularity of the mascot characters therein. Crash Bandicoot, Banjo-Kazooie, Spyro the Dragon; kids banged on department store glass displays because they wanted to be those characters. That's the nostalgia trip

Last year Nintendo Switch fans got to experience the likes of Dragon Quest XI when the definitive edition hit their platform of choice. The original PS4 and PC title (of which we reviewed back when it released here) had been spruced up with a number of features and new content, helping to sell the critically acclaimed RPG to a new audience. Now here we are, a year after that with the game circling back around for its second definitive release on PS4, PC and Xbox One. Similar to said Switch release, this Definitive Edition (aptly titled Dragon Quest XI S Definitive Edition), comes packed with a laundry list of features not found in the original 2018 (2017 in Japan) release. Now that the game’s been ported back around to its original source, how does it stack up? Having tested the game running on PlayStation 5, the base game starts out innocently enough. If you’ve played the original Dragon Quest XI you’ll largely know what to expect. For those who haven’t, well… a titanic beast of a game awaits you. The briefest rundown for newcomers, the game tasks you as the silent protagonist of your story – the Luminary as it were. Or rather,

Square Enix is no stranger to rhythm games. Over the years they’ve come out with the Theatrhythm series which carried on its back the likes of both Final Fantasy and Dragon Quest. These unusual entries in their storied franchises were met with a chorus of resounding success and so fans began to wonder: would Kingdom Hearts or other games get the same treatment? Fast forward to the present and the answer is clear, though it’s arriving in a far expanded package. While the Theatrhythm games were created for the Nintendo 3DS’s mobile experience, Kingdom Hearts Melody of Memory graces the current generation of home consoles on PlayStation 4, Xbox One and for the first time on Nintendo Switch. Despite this evolution, the game is absolutely a rhythm game to its core. But how does it all work? And how does it fit into the rest of the often complex and increasingly convoluted Kingdom Hearts series. Right from the jump, Melody of Memory opens with visual recap of the series along with a number of tutorials that help you ease into the game. Don’t be fooled: if you’re not used to rhythm games things can be deceptively difficult – the 3D presentation can be